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Sales Rank: #1115306 in Books
Published on: 2010-02-02
Released on: 2010-02-02
Original language: English
Number of items: 1
Dimensions: 9.55" h x 1.40" w x 6.45" l, 1.83 pounds
Binding: Hardcover
464 pages

From Publishers Weekly
Cohodas follows her biography of Dinah Washington (Queen) with that of another prominent African-American jazz singer—although Nina Simone would bristle at that label, insisting from the very start of her career that her music was grounded in the classical. (Eunice Waymon only began performing in nightclubs as Nina Simone after a failed application to the Curtis Institute of Music.) If Cohodas is respectful of Simone's legacy, particularly the impact of songs like Mississippi Goddam and Young, Gifted and Black on the civil rights movement, she's also forthright about Simone's contentious relationship with audiences and critics, and the possible mental illness underpinning that turmoil. It seems as if every one of Simone's onstage outbursts is recounted, along with every review describing her as a very angry young woman or wishing she'd stop playing protest songs. One of the few areas in which Cohodas shows full deference to her subject is in brushing off rumors of lesbian relationships, although a passing comment that Simone was inexorably drawn to the playwright Lorraine Hansberry raises questions. For the most part, though, Simone's complex personality—arrogance and brilliance in equal measure—receives a long-overdue elaboration. B&w illus. throughout. (Feb. 2)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Born in 1933, Eunice Waymon was a musical prodigy, amazing North Carolina churchgoers with her piano playing beginning at age four. Serious, proud, and hardworking, she dreamed of becoming a classical pianist and only began performing her unique blend of classical, gospel, jazz, and pop when she took a nightclub gig to earn money for graduate school. Eunice’s spontaneous invention of her alter ego, Nina Simone, is evidence of her formidable capacity for improvisation, the lifeblood of her world-altering music and the skill that helped her survive the bloody turmoil of the civil-rights era. Cohodas infuses every scene with electrifying detail and penetrating insights into Simone’s struggles as an African American musician of phenomenal talent and exalted ambition. Cohodas provides gripping descriptions of Simone’s indelible music along with profoundly moving accounts of her commanding, increasingly militant, and eventually downright bizarre stage presence. From her regal demeanor to her friendships with James Baldwin and Lorraine Hansberry, courageous activism, and the tragedies that pushed Simone into mental illness, Cohodas chronicles every turn with precision and empathy. The result is a wrenching story of how racism can undermine even the most ascendant life, and a dramatic portrait of an uncompromising, audacious, and beleaguered musical genius of conscience. --Donna Seaman

Review
Queen: The Life and Music of Dinah Washington

“Nadine Cohodas’s superb biography restores the luster of Washington’s crown, detailing a life lived not always wisely but certainly with vigor.”
—The Boston Globe

“Vital . . . Copious reporting [makes] Queen essential reading.”
—The Washington Post Book World

“Rises above the limitations of the usual star bio.”
—Chicago Tribune

“Enthralling . . . Cohodas has done her homework . . . Her biography of this peculiarly modern performer is essential reading for people interested in pop culture.”
—San Francisco Chronicle

“Cohodas vividly portrays the troubled singer, often allowing Washington to speak for herself.”
—Pittsburgh Post-Gazette

Spinning Blues into Gold

“Cohodas’s absorbing history is more than a story of the proto-rock era . . . It’s a captivating American story of improvisation at many levels.”
—The Wall Street Journal

“Combines the intelligence and conciseness of a political reporter and the contagious enthusiasm of a dyed-in-the-wool music fan.”
—Billboard

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